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Lawrence Burney
Lawrence Burney was The Baltimore Banner’s arts & culture reporter. He is a writer, journalist and the founder of True Laurels, a media platform dedicated to highlighting Baltimore and The DMV area’s most captivating music and culture.
Burney’s storytelling is concerned with finding — and sharing — the intersections of history, culture, and contemporary art in Black communities in his home region, as well as various pockets within the African diaspora in an attempt to make more sense of the world he was born into. Those instincts helped lead him to opportunities like serving as a music columnist for The Washington Post, a senior editor at The FADER magazine, and a staff writer at VICE.
Burney is also a current artist-in-residence for the Baltimore Living Archives — a collaborative program between The SNF Parkway Theatre and the Enoch Pratt Library — where he is developing various film and media projects.
The Crown provided a space for people to feel they were part of something important — something that belonged to them — when they were within those walls.
Baltimore native and director Chris Robinson’s “Shooting Stars” is about LeBron James’ high school basketball career, but properly framed through the lens of him being one of the greatest athletes we’ve ever seen.
Last year, having headliners Megan Thee Stallion and Lauryn Hill made it seem like organizers were trying to build a connection with Black Baltimoreans. Pop juggernaut Bruno Mars and electronic dance music duo Sofi Tukker as next weekend’s stars feels like an intentional shift.
Stevie Walker-Webb, the director of Center Stage’s newest production, “Life is a Dream,” talks about his recent Tony Award nomination for “Ain’t No Mo’.’
A new Pharrell-supported podcast called “The Blog Era” dives into the history of rap coverage in the mid-to-late-2000s. Baltimore writer Al Shipley talks about his own blog, Government Names, which was crucial to the local scene during that period.
Rumors of the famed mixtape hosting site DatPiff folding emphasized the ever-changing digital music landscape for local and national artists and consumers.
There have been several retellings of the Gun Trace Task Force’s crimes, but “I Got A Monster” gives the necessary nuance and depth to the people who were actually targeted.
Scott Seiss, more widely known as “Angry Retail Guy,” says his part in the hilariously ridiculous film “set the bar high” for movie roles going forward.
The 15-track project, "Champain," finds Teck and Peezy in constant conversation with each other’s musical approach and using the style of their respective hometowns.